Doctor Who (2005) Transcripts
DOCTOR WHO
1x03: The Unquiet Dead
Original Airdate: 4/9/2005
Written by: Mark Gatiss
Directed by: Euros Lyn
[Mr. Sneed crosses a room where a woman lies dead in her coffin and a man stands over her. The man's name is Redpath. Sneed lights a gas lamp. He walks to the mans side]
SNEED
Sneed and Company offer their sincerest condolences, sir. In this most trying hour.
REDPATH
Grandmamma had a good innings, Mr. Sneed. She was so full of life. I can't believe she's gone.
SNEED
Not gone, Mr. Redpath, sir. Merely sleeping.
[There is a short silence]
REDPATH
May I have a moment?
SNEED
Yes, of course. I shall be in the next room, should you require anything.
[He leaves Redpath alone with his Grandmother. Redpath, with his head bowed in grief, does not notice the gas enter her dead body and her eyes snap open. She suddenly grabs Redpath by the neck and throttles him. Mr. Sneed bursts back into the room upon hearing the commotion]
SNEED
Oh, no.
[The old woman twists her grandson's neck around and he falls to the floor. Redpath tries to wrestle the lid back on the coffin]
SNEED
Gwyneth! Get down here now! We've got another one!
[He is not strong enough to get the lid back on the coffin and the old woman kicks the side off and walks from the house, wailing]
***
OPENING CREDITS
CHRISTOPHER ECCLESTON
BILLIE PIPER
THE UNQUIET DEAD
By Mark Gatiss
***
[Inside the TARDIS, it is mayhem. The whole ship is shaking and alarm is going off]
DOCTOR
ROSE
DOCTOR
ROSE
DOCTOR
ROSE
DOCTOR
[The TARDIS screeches through the time vortex]
***
[Back in 1860, Mr. Sneed is dabbing at his forehead]
SNEED
[Gwyneth appears]
Where've you been? I was shouting!
GWYNETH
SNEED
GWYNETH
SNEED
GWYNETH
SNEED
GWYNETH
SNEED
GWYNETH
[Sneed nods]
GWYNETH
SNEED
***
[The TARDIS materializes on a deserted street. Snow is falling. Inside, the controls are steaming and both the Doctor and Rose
are lying on the floor laughing. They get up]
ROSE
DOCTOR
ROSE
[The Doctor is studying the screen]
DOCTOR
[He giggles]
ROSE
[The Doctor gestures towards the door]
DOCTOR
ROSE
[She is studying him intently now]
ROSE
DOCTOR
ROSE
[They grin at each other for a few moments. Then Rose slaps his bum and dashes towards the door]
ROSE
DOCTOR
ROSE
DOCTOR
[Rose rushes off to get changed. The Doctor grins after her]
***
[Sneed and Gwyneth are driving through the streets looking for the old woman]
SNEED
GWYNETH
[Sneed stops the hearse and looks at Gwyneth]
SNEED
GWYNETH
SNEED
GWYNETH
SNEED
GWYNETH
SNEED
[Gwyneth looks anxious]
SNEED
[Gwyneth closes her eyes]
GWYNETH
SNEED
GWYNETH
SNEED
GWYNETH
***
[There is a knocking at a door. An old man is kneading his forehead inside the room]
STAGE MANAGER
[Mr. Dickens does not respond. A man comes into the room]
STAGE MANAGER
DICKENS
STAGE MANAGER
DICKENS
[The man looks at him]
DICKENS
STAGE MANAGER
DICKENS
STAGE MANAGER [laughingly]
DICKENS
STAGE MANAGER
DICKENS
[They look at the poster announcing his show]
DICKENS
[He lifts himself out of his chair]
DICKENS
STAGE MANAGER
DICKENS
[He takes a long swig of drink]
DICKENS
[The man helps him change his jacket]
DICKENS
***
[In the TARDIS, the Doctor is doing some more unnecessary repair work. Rose swans in and he turns off his sonic screwdriver
and looks at her in surprise]
DOCTOR
ROSE
DOCTOR
[Rose stops laughing and smiles instead. There is a pause and the Doctor looks away awkwardly]
DOCTOR
[He turns on his screwdriver again]
ROSE
DOCTOR
ROSE [looking slightly confused yet amused]
DOCTOR
[He jumps out of the space beneath the controls]
ROSE
[She hurries towards the door and opens it, looking out onto the 1860 street. She makes one footprint in the untouched snow then
withdraws her foot again. Then she steps out altogether. The Doctor follows her]
DOCTOR
[She smiles and he offers her his arm. She takes it]
DOCTOR
[They walk off]
***
[The curtains open for Dickens' show. The audience applaud. The dead old woman is sitting slap bang in the middle of them]
***
[The Doctor and Rose walk down the street, observing everything - Rose in amazement, the Doctor with his usual grin on his face.
He walks in another direction and Rose follows. There are carol singers in the background]
***
[Sneed and Gwyneth arrive before the venue where Dickens is giving his show]
GWYNETH
[They alight from the hearse. Not far away, the Doctor is buying a newspaper. He unfolds it and scans it]
DOCTOR
ROSE
DOCTOR
ROSE
DOCTOR
ROSE
DOCTOR
[Rose pauses for a few seconds]
ROSE
***
[Inside the venue, Dickens is talking to a rapt audience]
DICKENS
[The audience gasp]
DICKENS
[The gas is escaping from the old woman. Dickens, seeing as how he is the only one facing the audience, is the only one to notice]
DICKENS
[He points a trembling finger at the old woman]
DICKENS
[The woman has risen in her seat. She lets out a long, loud wail. The audience scream and trample each other in their hurry to get
away. The Doctor and Rose hear the screaming. The Doctor grins]
DOCTOR
[He tosses the newspaper over his shoulder and runs in the direction of the screaming. Rose follows. Inside, Dickens is desperately
trying to get his audience to sit down again]
DICKENS
[Sneed and Gwyneth are struggling to enter the venue]
GWYNETH
SNEED
[The gas zooms around the room]
SNEED
[The Doctor and Rose enter. They watch the gas zoom around]
DOCTOR
[The last of the gas leaves the old woman's mouth and she slumps back in the chair, just a dead body once more. The Doctor
approaches Mr. Dickens]
DOCTOR
DICKENS
[The Doctor looks slightly taken aback]
ROSE
[Sneed and Gwyneth are making off with the old woman's body]
ROSE
DOCTOR
[He jumps up on the stage]
DOCTOR
DICKENS
DOCTOR [indignantly]
***
[Outside, Gwyneth and Sneed have successfully loaded the body into the back of the hearse. Rose catches up with them]
ROSE
GWYNETH
[She is trying to bar Rose from seeing inside the hearse]
GWYNETH
[Rose pushes Gwyneth aside and feels the old woman's forehead]
ROSE
[Sneed approaches her silently from behind and clamps a tissue full of a drug, probably chloroform, to her mouth. She struggles for a few seconds
and then goes limp]
GWYNETH [shocked]
SNEED
[Gwyneth bends down to pick up Rose's legs]
***
[The blue gas is still zooming around inside. It dives into one of the gas lamps and disappears]
DOCTOR
***
[By the time the Doctor comes down the steps of the venue, Gwyneth has just finished pushing Rose's head out of sight into the
hearse. She slams the door shut]
DOCTOR
[He runs towards the hearse]
DICKENS
[The hearse drives away. The Doctor stares after it]
DICKENS
DOCTOR
[The Doctor spots a coach and runs towards it, shouting to the driver]
DOCTOR
[He jumps into the back]
DICKENS
DOCTOR
DICKENS
DOCTOR
[He pulls Dickens in]
DOCTOR [to the driver]
[The coach rumbles off]
DRIVER
DICKENS
DOCTOR
DICKENS
DOCTOR
DICKENS
DOCTOR
DICKENS
DOCTOR DRIVER
DOCTOR
DICKENS
DOCTOR
[Dickens looks pleased]
DOCTOR
DRIVER
DICKENS
DOCTOR
DICKENS
DOCTOR
DICKENS
DOCTOR
DICKENS [disgruntled]
DOCTOR
[The driver urges the horses on]
DICKENS
DOCTOR
DICKENS
DRIER
[The Doctor looks delighted]
DOCTOR
DICKENS
DOCTOR
DICKENS
DOCTOR
DICKENS
***
[Back at the funeral directors, Gwyneth and Sneed have one end each of Rose and are carrying her into a room]
GWYNETH
[They settle her down on a table, that is evidently used for dead bodies]
SNEED
GWYNETH
[They leave the room, shutting and locking Rose in. A gas lamp flickers]
***
SNEED
[There is a knock on the door. They both look up, alarmed]
SNEED
***
[In the other room, Rose wakes up. She looks slightly out of sorts, and does not notice when the gas from the lamps fills the corpse of Redpath. He sits up suddenly]
***
[Dickens knocks on the door again and Gywneth opens it]
GWYNETH
DICKENS
GWYNETH
[She makes to shut the door, but Dickens forces it open again]
DICKENS [angrily]
GWYNETH
[Behind her, a gas lamp flares up]
DOCTOR
DICKENS
***
[Rose suddenly notices the corpse behind her. She jumps in alarm as he starts making zombie noises at her]
ROSE
[He climbs out of the coffin]
ROSE
[He takes staggering steps towards her]
ROSE
[She runs to the door and tries to open it]
***
[The Doctor forces his way in and presses his ear to the wall]
GWYNETH
DOCTOR
***
[Rose backs against the door. The old woman's body rises from the other coffin and Rose gaps]
DOCTOR
[Rose lobs a vase at Redpath. It does nothing but cause him to stumble slightly. Rose rattles the handle frantically]
ROSE
***
[Gwyneth, the Doctor and Dickens hear her. Gwyneth closes her eyes in dismay]
DOCTOR
[He runs off to her rescue. Dickens’s follows]
ROSE
[Both corpses are walking towards her. The Doctor charges past Sneed]
SNEED
[Dickens charges past him too. He shakes his finger at Gwyneth as she runs after them]
SNEED
[Rose is still hammering on the door as the corpses get closer and closer]
ROSE
[Redpath clasps a hand over her mouth, muffling her scream. At that moment, the Doctor kicks the door in]
DOCTOR
[He releases Rose from Redpath's grip]
DICKENS
DOCTOR
[He grins down at the panting Rose]
DOCTOR
ROSE
DOCTOR
ROSE
DOCTOR [to the corpses]
REDPATH
[Both Redpath and his grandmother raise their heads to the ceiling. The blue gas leaves them with a wailing sound and both
corpses fall to the floor]
***
[Later, Gwyneth is pouring them all tea while Rose is having a go at Sneed]
ROSE
[The Doctor sniggers]
SNEED
ROSE
SNEED
[Dickens looks mildly offended]
SNEED
DICKENS
SNEED
[Gwyneth gives the Doctor his tea]
GWYNETH
[The Doctor looks at her retreating back curiously]
SNEED
DICKENS
DOCTOR
DICKENS
DOCTOR
[Dickens looks stunned]
DOCTOR [to Sneed]
SNEED
DOCTOR
ROSE
DOCTOR
SNEED [with revelation]
[Dickens sneaks un-noticed from the room]
SNEED
***
[Dickens, wandering the corridors alone, examines the gas lamps]
DICKENS
[He goes back into the room where Rose was locked up and takes the lid off Redpath's coffin, where Redpath is lying peacefully,
his arms crossed across his chest. He waves his hands in front of his face, shakes him a bit, and fumbles around underneath the
coffin, all the time oblivious to the Doctor watching him with his arms folded in the doorway]
DOCTOR
DICKENS
[The Doctor unfolds his arms and walks over to Dickens]
DOCTOR
[He places a hand on his shoulder]
DOCTOR
DICKENS
DOCTOR
DICKENS
DOCTOR
DICKENS
***
[In the kitchen, Gwyneth is lighting another gas lamp when Rose comes in and starts washing up]
GWYNETH
ROSE
[She hands her the cloth to dry up]
ROSE
GWYNETH
ROSE
GWYNETH
[Rose looks dumbfounded]
ROSE
GWYNETH
ROSE
GWYNETH
ROSE
[They both laugh]
GWYNETH
[She says this as if it was completely outrageous]
ROSE
[Gwyneth stops laughing at once and looks scandalized]
GWYNETH
[She turns back to the washing up]
ROSE
GWYNETH
ROSE
GWYNETH
[Rose looks extremely chuffed]
GWYNETH ROSE
[Again, Gwyneth looks extremely shocked]
GWYNETH
[Rose just laughs. Then, Gwyneth laughs too]
ROSE
GWYNETH
[Rose shrugs slightly]
ROSE
GWYNETH
ROSE
GWYNETH
ROSE
[She nods, then looks at Gwyneth]
ROSE
[Gwyneth realizes what she has said and turns quickly back to the washing up]
GWYNETH [lightly]
ROSE
GWYNETH
ROSE
GWYNETH
[They laugh]
ROSE
GWYNETH
ROSE
GWYNETH
[She is staring intently at Rose]
GWYNETH
[She staggers backwards as though frightened]
GWYNETH
ROSE
GWYNETH
DOCTOR
[Rose and Gwyneth both jump as they turn to see the Doctor standing in the doorway]
GWYNETH
DOCTOR
GWYNETH
DOCTOR
GWYNETH
DOCTOR
***
[They are all sat around a table]
GWYNETH
DICKENS
[He gets up]
DOCTOR
DICKENS
DOCTOR
ROSE
DOCTOR [to Dickens]
[Dickens sits down again]
DOCTOR
GWYNETH
[Dickens rolls his eyes]
GWYNETH
[She raises her eyes to the ceiling. A murmuring fills the room]
ROSE
DICKENS
ROSE
GWYNETH
[The gas creatures begin to fill the room. They all look surprised/scared]
ROSE
DOCTOR
GWYNETH
DOCTOR
[Gwyneth looks almost pained. Then suddenly, she lowers her head and opens her eyes]
GWYNETH
[Three gaseous figures appear behind her - the Gelth. Dickens' mouth drops open]
SNEED
DOCTOR
GELTH
DOCTOR
GELTH
DOCTOR
GELTH
DOCTOR Why, what happened?
GELTH
DICKENS War? What war?
GELTH
[The Doctor and Rose glance at each other]
GELTH
DOCTOR
GELTH
ROSE
DOCTOR
ROSE
DOCTOR
[They stare at each other for a moment]
GELTH
[They disappear and Gwyneth collapses forwards onto the table. Rose gets up immediately and goes to her]
ROSE
DICKENS
ROSE [to Gwyneth]
DICKENS
[The Doctor is silent]
***
[Rose is mopping Gwyneth's forehead as she lies asleep on a couch. Slowly, her eyes open. She fidgets]
ROSE
GWYNETH
[The Doctor is leaning on a wall just behind Rose]
DOCTOR
[Rose turns around angrily]
ROSE
[The Doctor leans his head back and sighs. Rose turns back to Gwyneth and offers her a drink]
ROSE
SNEED
DOCTOR
SNEED
DOCTOR
[He points skywards]
SNEED
DOCTOR
DICKENS
ROSE
DOCTOR
DICKENS
DOCTOR
[Rose gets up and walks over to the Doctor]
ROSE
DOCTOR
ROSE
DOCTOR
ROSE It's just... wrong! Those bodies were living people! We should respect them even in death!
DOCTOR
ROSE
DOCTOR
[Rose is silent]
DOCTOR [in softer tones]
ROSE
GWYNETH
[Both Rose and the Doctor turn to look at her]
ROSE
GWYNETH
ROSE
GWYNETH
DOCTOR
GWYNETH
[The Doctor smiles at her]
DOCTOR
[He walks to the table where Sneed and Dickens are sitting]
DOCTOR
SNEED ROSE [still disgruntled]
[Everyone turns to look at her]
***
[The key turns in the Morgue, and they all troupe in, lead by the Doctor]
DOCTOR
ROSE
DOCTOR
[He clicks his fingers]
DOCTOR
DICKENS
ROSE
[The Gelth flood into the room. Their leader positions itself in an archway. It has the voice of a child]
GELTH ROSE
GELTH
DOCTOR
GWYNETH
DOCTOR
GELTH
[Gwyneth positions herself beneath the arch]
GWYNETH
[Rose rushes to her]
ROSE
[Gwyneth places her hands on Rose's cheeks]
GWYNETH
[Rose staggers backwards]
GELTH
GWYNETH
GELTH
GWYNETH
GELTH
[Gwyneth's mouth opens and the Gelth pour out of it]
GELTH
DICKENS
[The bridge is open. We descend Suddenly, the figure becomes demonic. The gas turns from blue to red]
GELTH
DICKENS
GELTH
[The bodies rise]
SNEED
ROSE
[A corpse grabs Sneed from behind and holds him still while another of the Gelth fills his body through his mouth. The Doctor and
Rose leap back. Mr Sneed looks up at them through blank, dead eyes]
DOCTOR
SNEED
DICKENS
[The corpses advance on the Doctor and Rose]
GELTH
[They are backing the Doctor and Rose against a dungeon door]
DOCTOR
GELTH
DICKENS
[The Doctor looks behind him, spots the dungeon door, pushes Rose in there with him and slams it shut again so they are both
locked in there]
DICKENS
[He jumps and runs from the Morgue as one of the Gelth screeches and swoops at him. The corpses are clambering to get in the
dungeon]
GELTH
DOCTOR
GELTH
[They are rattling the door]
DOCTOR
GELTH
***
[Dickens has run from the Morgue and rests panting against the door. The gaseous creatures swirl around the knocker, making it
look exactly like the knocker from his story 'A Christmas Carol', and he runs again]
***
[The Doctor and Rose are flattened against the dungeon wall while the Gelth are rattling the door]
ROSE
[She looks at the Doctor for reassurance]
ROSE
DOCTOR
***
[Dickens has run from the house altogether. One of the Gelth has followed him]
GELTH
[The figure dives into a gas lamp]
DICKENS [with revelation]
***
ROSE
DOCTOR
ROSE
DOCTOR
[He looks horrified]
DOCTOR
ROSE
***
[Dickens rushes back into the house and begins to turn all the flames off the gas lamps, so that the gas is released into the air.
Wheezing slightly, he covers his nose and mouth with a handkerchief]
***
ROSE
DOCTOR
ROSE
DOCTOR
[They link hands]
DOCTOR
[Rose looks up at him, surprised]
ROSE
[They smile at each other. At that moment, Dickens rushes into the room]
DICKENS
DOCTOR
DICKENS
[He turns another one on]
DOCTOR
ROSE
DICKENS
DOCTOR
[The corpses all decide to turn on Dickens instead]
DICKENS
[The corpses advance dangerously on him]
DICKENS
DOCTOR
[He smashes a gas canister against the wall and all the creatures are sucked from the bodies with a scream]
DICKENS
[The Doctor and Rose are free to come out of the dungeon]
DOCTOR
GWYNETH [simply]
DOCTOR
ROSE [choked]
DOCTOR
[Dickens grabs Rose's arm, but she shakes him off]
ROSE
GWYNETH
DOCTOR
GWYNETH [firmly]
[Her hand goes to her apron pocket and she takes out a box of matches. Rose rushes forwards]
ROSE
GWYNETH
[The Doctor grabs Rose's shoulders]
DOCTOR
[Dickens and Rose leave the Morgue. The Doctor holds his hand out for the matches]
DOCTOR
[Gwyneth does not respond]
***
[Dickens leads Rose back through the dark house, filled with gas]
DICKENS This way!
***
[The Doctor places his hand on Gwyneth's neck, feeling for a pulse. His face falls]
DOCTOR
[He places a kiss on her forehead]
DOCTOR
[He runs from the Morgue. Gwyneth takes a match out of the box and waits for a few moments, to be sure the Doctor is safely out
of the house. Then she strikes the match. The whole house goes up in flames, the Doctor diving out of the doorway only just in
time to join Rose and Dickens. Rose fixes him with a look that plainly asks why Gwyneth is not with him. The Doctor looks back at
her]
ROSE
DOCTOR
DICKENS
[Rose has not looked away from the Doctor]
DOCTOR
ROSE
DOCTOR
ROSE
DICKENS
ROSE
[All three of them gaze at the burning house]
***
[The Doctor, Rose and Dickens have arrived back at the TARDIS[
DOCTOR
[He fits the key in the lock]
ROSE [to Dickens]
DICKENS
DOCTOR
DICKENS [enthusiastically]
ROSE
DICKENS
DOCTOR
[He shakes Dickens' hand]
DOCTOR
[He turns back to the TARDIS door]
ROSE
[She kisses him on the cheek. Dickens looks taken-aback]
DICKENS
DOCTOR
[He opens the door of the TARDIS]
DICKENS
[There is a pause]
DOCTOR
DICKENS
DOCTOR
DICKENS
DOCTOR
[Dickens tries to look pleased and modest at the same time]
DOCTOR
[They both turn to the door]
DICKENS
DOCTOR
[The Doctor and Rose enter the TARDIS and shut the door after them]
ROSE
DOCTOR
[They both look at the screen where they can see Dickens is still standing outside]
ROSE
DOCTOR
[He hits a button and the engines reve up. They smile as they watch Dickens' face when the TARDIS disappears before his eyes.
Laughing, Dickens' walks away from where the TARDIS stood and onto the main road]
PASSER-BY
DICKENS
***
CLOSING CREDITS
Hold that one down!
I'm holding this one down!
Well, hold them both down!
It's not going to work!
Oi! I promised you a time machine and that's what you're getting. Now, you've seen the future - let's have a look at the
What happened in 1860?
I don't know, let's find out. Hold on, here we go!
Gwyneth! Where are you, girl? Gwyneth!
I've been in the stables, sir, bringing the ice for old Sampson.
Well, get back in there and harness him up.
Whatever for, sir?
The stiffs are getting lively again. Mr. Redpath's grandmother - she's up and on her feet and out there somewhere, on the
streets! We've got to find her!
Mr. Sneed, for shame! How many more times? It's ungodly!
Don't look at me like it's my fault! Now come on, hurry up! She was 86. She can't have got far.
What about Mr. Redpath? Did you deal with him?
No. She did.
That's awful, sir. I know it's not my place, and please - forgive me for talking out of turn, sir. But this is getting beyond, now.
Something terrible is happening in this house, and we've got to get help.
And we will! As soon as we get that dead old woman locked up and safe and sound. Now stop
prevaricating girl, get the hearse
ready. We're going body snatching.
Blimey!
You're telling me! Are you alright?
Yeah. I think so! Nothing broken... did we make it? Where are we?
I did it! Give the man a medal. Earth - Naples - December 24th, 1860.
That's so weird... it's Christmas.
All yours.
But, it's like... think about it, though. Christmas. 1860. Happens once. Just once, and it's gone. It's finished. It'll never
happen again. Except for you.
You can go back and see days that are dead and gone and a hundred thousand sunsets ago... no wonder you never stay
still...
Not a bad life.
Better with two.
Come on then!
Oi, oi, oi! Where do you think you're going?!
1860!
Go out there dressed like that, you'll start a riot, Barbarella! There's a wardrobe through there. First left, second right, third
on the left, go straight ahead, under the stairs, past the bins, it's the fifth door on your left. Hurry up!
Not a sign. Where is she?
She's vanished into the ether sir, where can she be?
You tell me, girl.
What do you mean?
Gwyneth, you know full well.
No, sir. I can't.
Use the sight.
It's not right, sir.
Find the old lady. Or you're dismissed.
Now, look inside, girl. Look deep. Where is she?
She's lost, sir. She's so alone. Oh, my lord. So many strange things in her head.
But where?
She's excited. About tonight. Before she passed on, she was going to see him.
Who's 'him'?
A great man. All the way from London. The great, great man.
Mr. Dickens! Mr. Dickens! Excuse me, sir, Mr. Dickens - this is your call.
Are you quite well, sir?
Splendid, splendid. Sorry.
Time you were on, Sir.
Absolutely. I was just - brooding.
Christmas Eve. Not the best of times to be alone.
Did no one travel with you, sir? An old lady wife waiting out front?
I'm afraid not.
You can have mine if you want.
Oh, I wouldn't dare. I've been rather - let's say - clumsy, with family matters. By God, I'm too old to cause any more
trouble.
You speak as though it's all over, sir!
Oh, no, it's never over. On and on I go. The same old show.
I'm like a ghost, condemned to repeat myself...
... for all eternity.
It's never too late, sir. You could always think up some new turns.
No, I can't. Even my imagination grows stale.
I'm an old man. Perhaps I've thought everything I'll ever think. Still! The lure of the
lime-light! As potent as a pipe what, eh?
On with the show.
Blimey!
Don't laugh!
You look beautiful!
... considering.
Considering what?
That you're human!
I think that's a compliment... Aren't you going to change?
I've changed my jumper! Come on!
You, stay there! You've done this before. This is mine!
Ready for this?
Here we go. History!
She's in there, sir, I'm certain of it.
I got the flight a bit wrong.
I don't care.
It's not 1860, it's 1869.
I don't care!
And it's not Naples.
I don't care.
It's Cardiff.
Right...
Now, it is a fact, that there was nothing particular about the knocker on the door of this house. But let any man explain
to me if he can, how it happened, that Scrooge, having his key in the lock of the door, saw in the knocker, without it's undergoing
any intermediate process of change, not a knocker - but Marley's face.
Marley's face! It looked at Scrooge as Marley used to look. It looked like...
Oh, my lord! It looked... like that!
What phantasmagoria is this?
That's more like it!
Stay in your seats, I beg you. It is a lantern show, it's trickery.
There she is, sir!
I can see that!
The whole bloomin' world can see that!
Fantastic.
Did you see where it came from?
Ah. The wag reveals himself, does he? I trust you're satisfied, sir!
Oi! Leave her alone!
Doctor, I'll get 'em!
Be careful!
Did it say anything? Could it speak? I'm The Doctor, by the way.
Doctor? You look more like a navy.
What's wrong with this jumper?
What're you doing?!
Oh, it's such a tragedy, miss. Don't worry yourself, me and the master will deal with it.
The fact is, this poor lady's been taken with the brain fever and we have to get her to the infirmary.
She's cold... she's dead! My God, what did you do to her?
What did you do that for?
She's seen too much. Get her in the hearse!
Gas! It's made of gas!
Rose!
You're not escaping me, sir! What do you know about that hobgoblin, hm?
Projection on glass, I suppose. Who put you up to it?
Yeah, mate. Not now, thanks.
Oi, you! Follow that hearse!
You can't do that, sir!
Why not?
Why not?! I'll give you a very good reason why not! This is my coach!
Well, get in then!
Move!
Everything in order, Mr. Dickens?
No! It is not!
What did he say?
Let me say this first. I'm not without a sense of humour--
Dickens?
Yes.
Charles Dickens?
Yes.
The Charles Dickens?
Shall I remove the gentleman, sir?
Charles Dickens! You're brilliant, you are! Completely 100% brilliant! I've read 'em all! Great Expectations, Oliver Twist
and what's the other one, the one with the ghost?
A Christmas Carol?
No, no, no, the one with the trains... The Signal Man, that's it, terrifying!
The best short story ever written! You're a genius!
You want me to get rid of him, sir?
Er, no, I think he can stay.
Honestly, Charles - can I call you Charles? I'm such a big fan.
... what? A what?
Fan! Number One Fan, that's me.
How exactly are you a fan? In what way do you resemble a means of keeping oneself cool?
No, it means 'Fanatic', devoted to. Mind you, I've gotta say, that American bit in Martin Chuzzlewit, what was that about?!
Was that just padding or what? I mean, it's rubbish, that bit.
I thought you said you were my fan.
Ah, well, if you can't take criticism... go on, do the death of Little Nell, it cracks me up. No, sorry, come on, faster!
Who exactly is in that hearse?
My friend. She's only nineteen, and it's my fault. She's in my care, and now she's in danger.
Why are we wasting my time talking about dry old books? This is much more important. Driver! Be swift! The chase is
on!
Yes, sir!
Atta boy, Charlie!
Nobody calls me Charlie.
The ladies do.
How do you know that?
I told you - I'm your Number One--
Number One Fan, yes...
The poor girl's still alive, sir! What're we going to do with her?
I don't know! I didn't plan any of this, did I. Isn't my fault if the dead won't stay dead.
Then whose fault is it, sir? Why is this happening to us?
I did the Bishop a favour, once. Made his nephew look like a cherub. Even though he'd been a fortnight in the weir. Perhaps
he'll do us an exorcism on the cheap.
Say I'm not in. Tell them we're closed. Just - just get rid of them.
I'm sorry, sir, we're closed.
Nonsense! Since when did an undertaker keep office hours? The dead don't die on schedule. I demand to see your
He's not in, sir.
Don't lie to me, child!
I'm awfully sorry, Mr. Dickens, but the mater's indisposed.
Having trouble with your gas?
What the Shakespeare is going on?
Are you alright? You're kidding me, yeah? You're just kidding.
You are, you're kidding me, aren't ya?
Okay, not kidding.
You're not allowed inside, sir!
There's something inside the walls.
The gas pipes. Something's living inside the gas.
Let me out! Open the door!
That's her.
Please, let me out!
This is my house!
I told you!
Let me out! Somebody, open the door! Open the door!
I think this is my dance.
It's a prank? It must be. We're under some mesmeric influence.
No, we're not. The dead are walking.
Hi!
Hi! Who's your friend?
Charles Dickens.
Oh. Okay.
My name's the Doctor. Who are you, then? What do you want?
We're failing. Open the rift, we're dying. Trapped in this form - cannot sustain - help us.
First of all you drug me, then you kidnap me, and don't think I didn't feel your hands having a quick wander, you dirty old
man.
I won't be spoken to like this!
Then you stuck me in a room full of zombies! And if that ain't enough - you swan off! And leave me to die! So come on -
talk!
It's not my fault, it's this house! It always had a reputation. Haunted. But I never had much bother until a few months
back. And then the stiffs--
... the er, dear departed started getting restless.
Tommyrot.
You witnessed it! Can't keep the beggars down, sir! They walk. And it's the queerest thing that they hang on to scraps...
Two sugars, sir, just how you like it.
One old fella who used to be a sexton almost walked into his own memorial service! Just like the old lady going to your
performance, sir! Just as she planned.
Morbid fancy.
Oh, Charles, you were there.
I saw nothing but an illusion.
If you're going to deny it, don't waste my time. Just shut up.
What about the gas?
That's new, sir, never seen anything like that.
Means it's getting stronger, the rift's getting wider and something's sneaking through.
What's the rift?
A weak point in time and space. The connection between this place and another. That's the cause of ghost stories, most of
the time.
That's how I got the house so cheap.
Stories going back generations. Echoes in the dark. Queer songs in the air and this feeling like a... shadow. Passing over
your soul. Mind you, truth be told, it's been good for business. Just what people expect from a gloomy old trade like mine.
Impossible.
Checking for strings?
Wires, perhaps? There must be some mechanism behind this fraud!
Oh, come on, Charles. Alright. I shouldn't have told you to shut up.
I'm sorry. But you've got one of the best minds in the world. You saw those gas creatures.
I cannot accept that.
And what does the human body do when it decomposes? It breaks down and produces gas. Perfect home for these gas
things - they can slip inside and use it as a vehicle. Just like your driver and his coach.
Stop it! Can it be that I have the world entirely wrong?
Not wrong. There's just more to learn.
I've always railed against the fantasies. Oh, I loved an illusion as much as the next man, revelled in them - that's what
they were. Illusions! The real world is something else. I dedicated myself to that. Injustices. Great social causes. I hoped that I
was a force for good. Now you tell me that the real world is a realm of spectres and jack o' lanterns. In which case - have I
wasted my brief span here, Doctor? Has it all been for nothing?
Please, Miss! You shouldn't be helping! It's not right!
Don't be daft. Sneed works you to death.
How much do you get paid?
Eight pound a year, miss.
That much?
I know. I would've been happy with six.
So, did you go to school or what?
Of course I did. What do you think I am? An urchin? I went every Sunday. Nice and proper.
What - once a week?
We did sums and everything. To be honest, I hated every second.
Me too.
Don't tell anyone, but one week, I didn't go and ran on the heath all on my own!
I did plenty of that. I used to go down the shops with my mate Shareen. And we used to go and look at boys!
Well, I don't know much about that, miss.
Come on, times haven't changed that much! I bet you've done the same.
I don't think so, miss.
Gwyneth! You can tell me! Bet you've got your eye on someone.
I suppose. There is one lad...
The butcher’s boy. He comes by every Tuesday. Such a lovely smile on him!
Oh, I like a nice smile. Good smile, nice bum.
Well, I have never heard the like!
Ask him out! Give him a cup of tea or something, that's a start.
I swear, it is the strangest thing, miss. You've got all the clothes and the breeding but you talk like some sort of wild
thing!
Maybe I am. Maybe that's a good thing. You need a bit more in your life than Mr Sneed.
Ah, now that's not fair. He's not so bad, old Sneed. He was very kind to me to take me in. Because I lost my mum and
dad to the flu when I was twelve.
Oh, I'm sorry.
Thank you, miss. But I'll be with them again, one day. Sitting with them in paradise. I should be so blessed. They're
waiting for me. Maybe your dad's up there waiting for you too, miss.
Maybe.
Um, who told you he was dead?
I don't know, must've been the Doctor.
My father died years back.
You've been thinking about him lately, more than ever.
I s'pose so... how do you know all this?
Mr. Sneed says I think too much. I'm all alone down here. I bet you've got dozens of servants, haven't you miss.
No, no servants where I'm from.
And you've come such a long way.
What makes you think so?
You're from London. I've seen London in drawings, but never like that.
All those people rushing about. Half naked, for shame. And the noise... and the metal boxes racing past... and the birds
in the sky... they're metal as well. Metal birds with people in them. People flying. And you - you've flown so far, further than
anyone! The things you've seen... the darkness... the big bad wolf--
I'm sorry! I'm sorry, miss!
S'alright...
I can't help it - ever since I was a little girl. My mum said I had the sight. She told me to hide it!
But it's getting stronger. More powerful, is that right?
All the time, sir. Every night. Voices in my head.
You grew up on top of the rift. You're part of it. You're the key.
I've tried to make sense of it, sir. Consulted with spiritualists, table wrappers, all sorts.
Well, that should help. You can show us what to do.
What to do where, sir?
We're going to have a séance.
This is how Madam Mortlock summons those from the Land of Mists. Down in Mid Town. Come. We must all join hands.
I can't take part in this.
Humbug? Come on, open mind.
This is precisely the sort of cheap mummery I try to un-mask. Séances? Nothing but luminous tambourines and a
squeeze box concealed between the knees. This girl knows nothing.
Now, don't antagonize her. I love a happy medium.
I can't believe you just said that.
Come on, we might need you.
Good man. Now, Gwyneth. Reach out.
Speak to us. Are you there? Spirits?
Come. Speak to us that we may relieve your burden.
Can you hear that?
Nothing can happen. This is sheer folly.
Look at her.
I feel them. I feel them!
What're they saying?
They can't get through the rift. Gwyneth, it's not controlling you, you're controlling it. Now look deep. Allow them through.
I can't!
Yes you can. Just believe it. I have faith in you, Gwyneth. Make the link.
Yes.
Great God. Sprits from the other side!
The other side of the universe.
Pity us. Pity the Gelth. There is so little time, help us.
What do you want us to do?
The rift. Take the girl to the rift. Make the bridge.
What for?
We are so very few. The last of our kind. We face extinction.
Once we had a physical form like you. But then the war came.
The Time War.
The whole universe convulsed. The Time War raged invisible to smaller species but devastating to higher forms. Our
bodies wasted away. We're trapped in this gaseous state.
So that's why you need the corpses.
We want to stand tall. To feel the sunlight. To live again. We need a physical form, and your dead are abandoned.
But we can't!
Why not?
It's not... I mean, it's not...
Not decent? Not polite? It could save their lives.
Open the rift. Let the Gelth through. We're dying. Help us. Pity the Gelth!
Gwyneth!
All true.
Are you okay?
It's all true.
It's alright. You just sleep.
But my angels, miss. They came, didn't they? They need me?
They do need you, Gwyneth. You're they're only chance of survival.
I've told you, leave her alone. She's exhausted and she's not fighting your battles.
Drink this.
Well, what did you say, Doctor? Explain it again. What are they?
Aliens.
Like... foreigners, you mean?
Pretty foreign, yeah. From up there.
Brecon?
Close. They've been trying to get through from Brecon to Cardiff but the road's blocked. Only a few can get through
and even then they're weak. They can only test drive the bodies for so long, then they have to revert to gas and hide in the pipes.
Which is why they need the girl.
They're not having her.
But she can help. Living on the rift, she's become part of it, she can open it up, make a bridge and let them through.
Incredible. Ghosts that are not ghosts but beings from another world who can only exist in our world by inhabiting cadavers.
Good system. It might work.
You can't let them run around inside dead people!
Why not? It's like recycling.
Seriously though, you can't.
Seriously though, I can.
Do you carry a donor card?
That's different, that's--
It is different, yeah. It's a different morality. Get used to it or go home.
You heard what they said, time's short. I can't worry about a few corpses when the last of the Gelth could
be dying.
I don't care, they're not using her.
Don't I get a say, miss?
Look. You don't understand what's going on.
You would say that miss. Because that's very clear inside your head, that you think I'm stupid.
That's not fair!
It's true, though. Things might be very different where you're from. But here and now, I know my own mind. And the
angels need me. Doctor, what do I have to do?
You don't have to do anything.
They've been singing to me since I was a child. Sent by my mum on a holy mission. So tell me.
We need to find the rift.
This house is on a weak spot, so there must be a spot that's weaker than any other. Mr. Sneed. What's the weakest part of
this house? The place where most of the ghosts have been seen?
That would be the Morgue.
No chance you were gonna say 'gazebo', was there?
Talk about bleak house.
The thing is, Doctor - the Gelth don't succeed. 'Cause I know they don't. I know for a fact there weren't corpses walking
around in 1869.
Time's in flux. It's changing every second. Your cozy little world could be rewritten like that.
Nothing is safe. Remember that. Nothing.
Doctor - I think the room is getting colder.
Here they come.
You have come to help! Praise the Doctor! Praise him!
Promise you won't hurt her!
Hurry! Please. So little time. Pity the Gelth.
I'll take you somewhere else after the transfer. Somewhere you can build proper bodies. This isn't a permanent solution,
alright?
My angels. I can help them live.
Okay, where's the weak point?
Here, beneath the arch.
Beneath the arch.
You don't have to do this.
My angels.
Establish the bridge, reach out of the void, let us through!
Yes. I can see you! I can see you! Come!
Bridgehead establishing.
Come! Come to me! Come to this world, poor lost souls!
It is begun! The bridge is made!
She has given herself to the Gelth]
There's rather a lot of them, eh?
The Gelth will come through in force.
You said that you were few in number!
A few billion. And all of us in need of corpses.
Gwyneth... stop this! Listen to your master! This has gone far enough. Stop dabbling, child, leave these things alone. I beg
of you--
Mr. Sneed! Get back!
I think it's gone a little bit wrong.
I have joined the legions of the Gelth. Come. March with us.
No!
We need bodies. All of you. Dead. The human race. Dead.
Gwyneth, stop them! Send them back! Now!
Three more bodies. Make them vessels for the Gelth.
I- I can't! I'm sorry!
It's too much for me! I'm so--
Give yourself to glory. Sacrifice your lives for the Gelth.
I trusted you. I pitied you!
We don't want your pity! We want this world and all it's flesh.
Not while I'm alive.
Then live no more.
But I can't die.
Tell me I can't! I haven't even been born yet, it's impossible for me to die! Isn't it?!
I'm sorry.
Failing! Atmosphere hostile!
Gas... Gas!
But it's 1869, how can I die now?
Time isn't a straight line. It can twist into any shape. You can be born in the 20th century and die in the 19th and it's all
my fault. I brought you here.
It's not your fault. I wanted to come.
What about me? I saw the fall of Troy! World War Five! I pushed boxes at the Boston Tea Party, now I'm going to die in a
dungeon!
In Cardiff!
It's not just dying. We'll become one of them.
We'll go down fighting, yeah?
Yeah.
Together?
Yeah!
I'm so glad I met you.
Me too.
Doctor! Turn off the flame, turn up the gas! Now fill the room, all of it, now!
What're you doing?
Turn it all on! Gas the place!
Brilliant. Gas!
What, so we choke to death instead?
Am I correct, Doctor? These creatures are gaseous!
Fill the room with gas, it'll draw them out of the host. Suck them into the air like poison from a wound!
I hope... oh, Lord. I hope that this theory will be validated soon.
If not immediately.
Plenty more!
It's working.
Gwyneth! Send them back! They lied, they're not angels.
Liars.
Look at me. If your mother and father could look down and see this, they'd tell you the same. They'd give you the
strength. Now send them back!
Can't breathe.
Charles, get her out.
I'm not leaving her!
They're too strong.
Remember that world you saw? Rose's world? All those people - non of it will exist unless you send them back through the
rift.
I can't send them back. But I can hold them. Hold them in this place, hold them here. Get out.
You can't!
Leave this place!
Rose, get out, go now, I won't leave her while she's still in danger, now go!
Now give that to me.
I'm sorry.
Thank you.
She didn't make it.
I'm sorry. She closed the rift.
At such a cost. The poor child.
I did try, Rose, but Gwyneth was already dead. She had been for at least five minutes.
What do you mean?
I think she was dead from the minute she stood in that arch.
But... she can't have, she spoke to us. She helped us - she saved us. How could she have done that?
There are more things in Heaven and Earth than are dreamt of in your philosophy. Even for you, Doctor.
She saved the world. A servant girl. No one will ever know.
Right then, Charlie-boy, I've just got to go into my um... shed. Won't be long!
What're you going to do now?
I shall take the mail coach back to London. Quite literally post-haste. This is no time for me to be on my own. I shall
spend Christmas with my family and make amends to them. After all I've learned tonight, there can be nothing more vital.
You've cheered up!
Exceedingly! This morning, I thought I knew everything in the world and now I know I've just started!
All these huge and wonderful notions, Doctor! I'm inspired. I must write about them!
Do you think that's wise?
I shall be subtle at first. The Mystery of Edwin Drood still lacks an ending. Perhaps the killer was not the boy's uncle.
Perhaps he was not of this earth. The Mystery of Edwin Drood and the Blue Elementals. I can spread the word! Tell the truth!
Good luck with it. Nice to meet you.
Fantastic.
Bye, then. And, thanks.
Oh, my dear-- how modern. Thank you, but, I don't understand - in what way is this goodbye? Where are you going?
You'll see. In the shed.
Oh, my soul. Doctor, it's one riddle after another with you. But after all these revelations, there's one mystery you still
haven't explained. Answer me this - who are you?
Just a friend. Passing through.
But you have such knowledge of future times. I don't wish to impose on you, but I must ask you. My books. Doctor - do
they last?
Oh, yes!
For how long?
Forever!
Right. Shed. Come on, Rose...
In - in the box? Both of you?
Down boy. See ya!
Doesn't that change history if he writes about blue ghosts?
In a weeks time it's 1870, and that's the year he dies. Sorry. He'll never get to tell his story.
Oh, no! He was so nice.
But in your time, he was already dead! We've brought him back to life! He's more alive now than
he's ever been, old Charlie-boy. Let's give him one last surprise.
Merry Christmas, sir.
Merry Christmas to you. God bless us! Everyone!
